October 12, 13, 15, and 16
Online
Benefitting Jewish Social Services and the Muslim Women's Coalition in their efforts to resettle Afghan refugees.
Get tickets here for a pay what you wish donation of $1 or more. On the day of the performance you will receive an unlisted link to watch. Pick your favorite actor or watch all four!
PLEASE NOTE: You will need Zoom to view the performance!
See the virtual program here.
No rehearsals. No director. No set.
A different actor reads the script cold for the first time at each performance.
The possibilities are endless.
This collaboration with All-In Productions brings this remarkable play right to your living room for four performances only. We guarantee each show will be totally different!
Nightly performers:
October 12: Karen Estrada (Milwaukee)
October 13: Casem AbuLughod (Madison)
October 15: Adam Qutaishat (Milwaukee)
October 16: Jamie England (Madison)
“I was born on Azar 19th, 1360 in Tehran. That’s Tehran, December 10th, 1981 in Christian years…”
Forbidden to leave his country, playwright Nassim Soleimanpour distilled the experience of an entire generation in a wild, utterly original play. WHITE RABBIT RED RABBIT is a work about contemporary Iran and of Nassim’s generation. A generation born amidst the hardship of the Iran-Iraq war. A generation of computer-literate, well-informed young people who have never known an Iran other than the Islamic Republic.
WHITE RABBIT RED RABBIT has been performed by Nathan Lane, Alan Cumming, Whoopi Goldberg, Laura Linney, Martin Short, Sinead Cusack, F. Murray Abraham, Cynthia Nixon, Stephen Rea, John Hurt among many others. It has been translated into more than 30 languages and performed over 3,000 times!
“A playful, enigmatic and haunting solo show by the Iranian writer Nassim Soleimanpour.” –The New York Times
“A thoughtful, playful response to oppression.” –The Guardian
“The whole experience is altogether funny and serious and surprising and you — by which I mean we — are all in it together.”
--San Francisco Examiner
“A dazzling, transcendent piece of alive-and-kicking avant-garde theater.” –Entertainment Weekly
Online
Benefitting Jewish Social Services and the Muslim Women's Coalition in their efforts to resettle Afghan refugees.
Get tickets here for a pay what you wish donation of $1 or more. On the day of the performance you will receive an unlisted link to watch. Pick your favorite actor or watch all four!
PLEASE NOTE: You will need Zoom to view the performance!
See the virtual program here.
No rehearsals. No director. No set.
A different actor reads the script cold for the first time at each performance.
The possibilities are endless.
This collaboration with All-In Productions brings this remarkable play right to your living room for four performances only. We guarantee each show will be totally different!
Nightly performers:
October 12: Karen Estrada (Milwaukee)
October 13: Casem AbuLughod (Madison)
October 15: Adam Qutaishat (Milwaukee)
October 16: Jamie England (Madison)
“I was born on Azar 19th, 1360 in Tehran. That’s Tehran, December 10th, 1981 in Christian years…”
Forbidden to leave his country, playwright Nassim Soleimanpour distilled the experience of an entire generation in a wild, utterly original play. WHITE RABBIT RED RABBIT is a work about contemporary Iran and of Nassim’s generation. A generation born amidst the hardship of the Iran-Iraq war. A generation of computer-literate, well-informed young people who have never known an Iran other than the Islamic Republic.
WHITE RABBIT RED RABBIT has been performed by Nathan Lane, Alan Cumming, Whoopi Goldberg, Laura Linney, Martin Short, Sinead Cusack, F. Murray Abraham, Cynthia Nixon, Stephen Rea, John Hurt among many others. It has been translated into more than 30 languages and performed over 3,000 times!
“A playful, enigmatic and haunting solo show by the Iranian writer Nassim Soleimanpour.” –The New York Times
“A thoughtful, playful response to oppression.” –The Guardian
“The whole experience is altogether funny and serious and surprising and you — by which I mean we — are all in it together.”
--San Francisco Examiner
“A dazzling, transcendent piece of alive-and-kicking avant-garde theater.” –Entertainment Weekly
